The upcoming exhibition, 'Deus Ex Bark-ina', is a unique and intriguing venture into the world of canine art, curated by Michael Morgan. This exhibition, set to open at the Ely Center of Contemporary Art in New Haven, explores the multifaceted relationship between dogs and art, delving into themes of rescue, loyalty, and the unexpected. Morgan's curatorial approach is both playful and thoughtful, as he navigates the fine line between serious artistic exploration and lighthearted fun. The title itself is a clever play on the ancient Roman phrase 'deus ex machina', suggesting a divine intervention in the form of a dog, and adding a layer of whimsy to the exhibition.
One of the key aspects of 'Deus Ex Bark-ina' is the curation process. Morgan, drawing from his experience with a previous cat-themed exhibit, carefully selected artists and their works to avoid a tribute-like atmosphere. He sought to showcase art that was centered around dogs, rather than just featuring them as subjects. This approach ensures that the exhibition is not just a collection of pet portraits but a serious exploration of the role of dogs in art and culture.
The artists featured in the exhibition bring a diverse range of styles and mediums to the table. From Emilie Louise Gossiaux's blind painterly and sculptural works inspired by her seeing eye dog, to Kati Gegenheimer's colorful painting of her rescue dog, 'Mars at the Door', the exhibition offers a rich tapestry of artistic expressions. Douglas Degges' art made from chewed dog toys and Lesley Finn's collage of archival papers on a wooden board further showcase the versatility of the theme.
The Ely Center, currently in a transitional period, has been a cornerstone of the arts community for over 60 years. It has hosted various art forms, including painting and sculpture clubs, and has a rich history in the New Haven arts district. The center's move to its current location in the CitySeed offices is a testament to its resilience and commitment to the arts.
One interesting aspect of the exhibition is the potential inclusion of real dogs. Morgan acknowledges the challenge of allowing dogs into the gallery, but the closing reception will feature adoptable dogs, adding a layer of interactivity and engagement. This approach not only makes the exhibition more accessible but also highlights the connection between dogs and humans, a theme that runs throughout the show.
In conclusion, 'Deus Ex Bark-ina' is a must-see exhibition for art enthusiasts and dog lovers alike. It offers a unique perspective on the role of dogs in art, culture, and society, while also providing a platform for artists to explore their relationship with these beloved companions. Morgan's curatorial vision and the diverse range of artworks make this exhibition a thought-provoking and entertaining experience, leaving visitors with a deeper appreciation for the canine-art connection.
